The Variable

Trustworthy direct relapse, we anticipate scores on one variable from the rankings on a second variable. The variable we're looking ahead to is known as the rule of thumb variable and is alluded to as y. The variable we're constructing our assume with respect to is referred to as the indicator variable and is alluded to as x. At the factor while there is only a unmarried indicator variable, the discern method is referred to as fundamental relapse. In trustworthy direct relapse, the challenge of this vicinity, the expectations of y while plotted as a element of x frame a straight line.( hand, d.j. (1994weisberg illuminates that the trustworthy direct relapse display is spoken to this manner: Y = ?0 +?1 + ?, by means of numerical tradition, the 2 variable that are engaged with a fundamental direct relapse investigation are assign x and y. The condition that portrays how y is diagnosed with x is known as the relapse display. The direct relapse show moreover carries a mistake term this is spoken to by ?, or the greek letter epsilon. The blunder term is applied to symbolize the fluctuation in y that can't be clarified via the instantly connection amongst x and y .(sanford weisberbeg (2005) however weisberbeg moreover indicates that †there likewise parameters that talk to the population being computed. These parameters of the model which are spoken to through (?Zero+?1x). The trustworthy direct relapse circumstance is spoken to this manner: ?(y) = (?Zero +?1 x). The truthful direct relapse condition is charted as a instantly line. (?0 is the y catch of the relapse line. ?1 is the slant. E(y)is the mean or expected estimation of y for a given estimation of x.† (sanford weisberbeg (2005)scholotzhauer notices â€Å"That a relapse line can display a nice direct relationship, a terrible directly courting, or no relationship. On the off threat that the charted line in a primary directly relapse is degree (not willing), there may be no connection among the 2 factors. In the occasion that the relapse line inclines upward with the lower cease of the line on the y capture (pivot) of the chart, and the higher give up of line expanding upward into the diagram field, a ways from the x block (hub) a high-quality instantly dating exists. In the event that the relapse line slants descending with the top cease of the road on the y block (hub) of the chart, and the decrease end of line broadening descending into the diagram area, across the x capture (pivot) a bad direct dating exists †.(sandra d schlotzhaur 2009) employments of simple directly relapse but moore and mccabe said that basic directly relapse a solitary self sustaining variable is applied to compute the estimation of a needy variable. Once we've ?Tted a version, we can put it to use to make expectancies – e.g. To anticipate the gas usage same to an out of doors temperature of 6deg c, or the drop in fuel utilization equal to a 5deg c increment in temperature. Degree of progress in a needy variable that outcomes from changes inside the free factors may be applied to gauge elasticises, degrees of profitability in human capital.( moore, d.s. What's extra, mccabe, g.p. 2004).try and determine motives for wonders.prediction and determining of gives, financial development.guide or nullify speculative model.alter and enhance speculative models and clarifications of wonders.Significance's of simple linear regression show as per mendenhall and sincich basic direct relapse is large since it has been connected in severa natural, behavioral, ecological and sociologies. With its ability to make clear doable connections between recognized elements, it has helped the fields of the examine of disorder transmission, fund, mo netary factors and pattern line in analyzing noteworthy data that ends up being of quintessence inside the distinguished fields. All the more as a consequence, honest direct relapse is noteworthy due to the fact that it offers a concept of what requirements to unsurprising, in particular in controlling and coping with capacities required on some orders. (mendenhall, w., and sincich, t. 1992).the regression modelmr mcintyre clarified that simple linear regression presents a way to version a instantly line courting between variables. In conventional (or asymmetric) regression one variable y is called the reaction or structured variable, and the opposite x is known as the explanatory or independent variable. That is a difference to correlation wherein there is no distinction among y and x in phrases of that is an explanatory variable and which a reaction variable. The regression model is given by: Y = ?+ ? X + ? In which ? Is the y intercept (the cost of y wherein x = 0), ? Is the slope of the road, and ? Is a random errors term. It is able to also receive as: Y = ?Zero + ?1x + ? Wherein ?Zero is the y intercept, ?1 is the slope of the road, and ? Is a random errors term. (mcintyre, l. 1994). However mcintyre â€Å"The traditional regression version, values of x-variable are assumed to be fixed via the experimenter. The model is still legitimate if x is random (as is more commonly the case), however simplest if x is measured with out error. If there's sizeable measurement mistakes on x, and the values of the predicted parameters are of interest, then mistakes in variables regression have to be used. Errors on the reaction variable are assumed to be independent and identically and typically dispensed.the parameters of the regression model are envisioned from the data the usage of normal least squares. B= (cov(x,y))/(var(x))= (?(xy)-(?X)(?Y)/n )/(?X2 – (?X)2/n ) in which b is the estimate of the slope coefficient (? ), x and y are the man or woman observations, x ?And y ?Are the way of x and y, n is the wide variety of bivariate observations. A= y ?+x ?Bin which a is the estimate of the y intercept (? ) (the cost of y where x=zero). There are several approaches the significance of a regression can be examined. Offering errors are typically and identically disbursed, a parametric test can be used. Analysis of variance is often the favored method, even though one can also use a t-test to test whether the slope is substantially unique from zero. If errors are not commonly and identically allotted, then a randomization check need to be used. The usage of evaluation of variance (anova), the full sums of squares of the response variable (y) is partitioned into the variant explained through the regression and the unexplained error variant. The mistake sums of squares are obtained by means of subtracting the regression sums of squares from the entire sums of squares.sst = ?Y2 ? (?Y)2/n ssr =([ ?Xy-((?X)(?Y) )/n])/(?X2 – (?X)2/n) sse = sst ? Ssrwhere: Ssl is the full sums of squares, or ?(y ? )2, ssr is the sums of squares explained by using the regression, or ?( ? )2, sse is the unexplained errors, or ?(y? )2 is the expected (expected) cost of y for each fee of x, xij and yij are the person observed values, and are the means of x and y, n is the range of replicates in each treatment and n is the overall variety of observations.suggest squares are acquired by dividing sums of squares through their respective degrees of freedom. The significance check is accomplished by means of dividing the mean square regression by means of the suggest square errors. Under a null speculation of a zero slope this f-ratio might be disbursed as f with 1 and n ? 2 tiers of freedom.† (mcintyre, l. 1994).

92-Tricks of Communication-Leil Lowndes

Technique #1 The Flooding Smile Don’t ? ash an immediate smile when you greet someone, as though anyone who walked into your line of sight would be the bene? ciary. Instead, look at the other person’s face for a second. Pause. Soak in their persona. Then let a big, warm, responsive smile ? ood over your face and over? ow into your eyes. It will engulf the recipient like a warm wave. The split-second delay convinces people your ? ooding smile is genuine and only for them. Technique #2 Sticky Eyes Pretend your eyes are glued to your conversation partner’s with sticky warm taffy. Don’t break eye contact even after he or she has ? ished speaking. When you must look away, do it ever so slowly, reluctantly, stretching the gooey taffy until the tiny string ? nally breaks. Technique #3 Epoxy Eyes ( dusray key baatay suntay suntay dusro say nazray melena chahtay hai .. toh yeh trick kaam key hai ) This brazen technique packs a powerful punch. Watch your target pers on even when someone else is talking. No matter who is speaking, keep looking at the man or woman you want to impact. Technique #4 Hang by Your Teeth ( BHAIYA JI , SMILE ) Visualize a circus iron-jaw bit hanging from the frame of every door you walk through. Take a bite and, with it ? mly between your teeth, let it swoop you to the peak of the big top. When you hang by your teeth, every muscle is stretched into perfect posture position. Technique #5 The Big-Baby Pivot Give everyone you meet The Big-Baby Pivot. The instant the two of you are introduced, reward your new acquaintance. Give the warm smile, the total-body turn, and the undivided attention you would give a tiny tyke who crawled up to your feet, turned a precious face up to yours, and beamed a big toothless grin. Pivoting 100 percent toward the new person shouts â€Å"I think you are very, very special. † Technique #6 Hello Old Friend ( DOSTANA DUDE ) When meeting someone, imagine he or she is an old friend (an old customer, an old beloved, or someone else you had great affection for). How sad, the vicis- situdes of life tore you two asunder. But, holy mack- erel, now the party (the meeting, the convention) has reunited you with your long-lost old friend! The joyful experience starts a remarkable chain reaction in your body from the subconscious softening of your eyebrows to the positioning of your toes—and everything between. Technique #7 Limit the Fidget ( KHUJLEE MAT KARNA baat kartay samay) Whenever your conversation really counts, let your nose tch, your ear tingle, or your foot prickle. Do not ?dget, twitch, wiggle, squirm, or scratch. And above all, keep your paws away from your puss. Hand motions near your face and all ? dgeting can give your listener the gut feeling you’re ? bbing. Technique #8 Hans’s Horse Sense ( ghoday key tarah bano 😛 hamesha pehlay Sunoo, socho fir bolo) Make it a habit t o get on a dual track while talking. Express yourself, but keep a keen eye on how your listener is reacting to what you’re saying. Then plan your moves accordingly. If a horse can do it, so can a human. People will say you pick up on everything. You never miss a trick. You’ve got horse sense Technique #9 Watch the Scene Before You Make the Scene ( be lyk RAJNIKAANTH†¦ LOL ) Rehearse being the Super Somebody you want to be ahead of time. SEE yourself walking around with Hang by Your Teeth posture, shaking hands, smiling the Flooding Smile, and making Sticky Eyes. HEAR your- self chatting comfortably with everyone. FEEL the pleasure of knowing you are in peak form and everyone is gravitating toward you. VISUALIZE yourself a Super Somebody. Then it all happens automatically. Technique #10 Make a Mood Match ( YO boyz†¦:P make a mood match bro.. ) Before opening your mouth, take a â€Å"voice sample† of our listener to detect his or her state of mind. Take a â€Å"psychic photograph† of the expression to see if your listener looks buoyant, bored, or blitzed. If you ever want to bring people around to your thoughts, you must match their mood and voice tone, if only for a moment. Technique #11 Prosaic with Passion ( first im pression is last impression) Worried about your ? rst words? Fear not, because 80 percent of your listener’s impression has nothing to do with your words anyway. Almost anything you say at ?rst is ? ne. No matter how prosaic the text, an empathetic mood, a positive demeanor, and passionate delivery make you sound exciting. Technique #12 Always Wear a Whatzit ( CHENDHA KARNA ) Whenever you go to a gathering, wear or carry something unusual to give people who ? nd you the delightful stranger across the crowded room an excuse to approach. â€Å"Excuse me, I couldn’t help but notice your . . . what IS that? † Technique #13 Whoozat ( for starting a consversation) Whoozat is the most effective, least used (by non- politicians) meeting-people device ever contrived. Simply ask the party giver to make the introduction, or pump for a few facts that you can immediately turn into icebreakers. Technique #14 Eavesdrop In No Whatzit? No host for Whoozat? No problem! Just sidle up behind the swarm of folks you want to in? l- trate and open your ears. Wait for any ? imsy excuse and jump in with â€Å"Excuse me, I couldn’t help but overhear. . . .† Will they be taken aback? Momentarily. Will they get over it? Momentarily. Will you be in the conversation? Absolutely! Technique #15 Never the Naked City ( Apnay rehnay key jagah ko achi jagh say compare karna chaiyay ) supificial SAKINAKA ) Whenever someone asks you the inevitable, â€Å"And where are you from? † never, ever, unfairly challenge their powers of imagination with a one-word answer. Learn some engaging facts about your hometown hat conversational partners can comment on. Then, when they say something clever in response to your bait, they think you’re a great conversationalist. Technique #16 Never the Naked Job ( if sum1 ask†¦ what do you do? To koi raaapchik word uskay saath adjective may daalnay apnay topic related thok daalnay ka :P) When aske d the inevitable â€Å"And what do you do,† you may think â€Å"I’m an economist/an educator/an engineer† is giving enough information to engender good conversation. However, to one who is not an economist, educator, or an engineer, you might as well be saying â€Å"I’m a paleontologist/psychoanalyst/pornographer. Flesh it out. Throw out some delicious facts about your job for new acquaintances to munch on. Otherwise, they’ll soon excuse themselves, preferring the snacks back at the cheese tray. Technique #17 Never the Naked Introduction ( batey karna sikhoo logo k saamnay.. gungay key tarah khaday mat rahoo ) When introducing people, don’t throw out an unbaited hook and stand there grinning like a big clam, leaving the newlymets to ? utter their ? ns and ? sh for a topic. Bait the conversational hook to get them in the swim of things. Then you’re free to stay or ? oat on to the next networking opportunity. Technique #18 Be a Word Detective ( kaaan khullaa raknay ka,aur uski baato say hint lekar TOPIC nikaal na kaa†¦ samja kya ? ) Like a good gumshoe, listen to your conversation partner’s every word for clues to his or her preferred topic. The evidence is bound to slip out. Then spring on that subject like a sleuth on to a slip of the tongue. Like Sherlock Holmes, you have the clue to the subject that’s hot for the other person. Technique #19 The Swiveling Spotlight When you meet someone, imagine a giant revolving spotlight between you. When you’re talking, the spotlight is on you. When the new person is speaking, it’s shining on him or her. If you shine it brightly enough, the stranger will be blinded to the fact that you have hardly said a word about yourself. The longer you keep it shining away from you, the more interesting he or she ? nds you. Technique #20 Parroting Never be left speechless again. Like a parrot, simply repeat the last few words your conversation partner says. That puts the ball right back in his or her court, and then all you need to do is listen. Technique #21 Encore! ( Koi achaa saa kissaa apni yaaado say dusro ko batana aur puchna kya apko yeh pasand aaya , hum firsay baatay ) The sweetest sound a performer can hear welling up ut of the applause is â€Å"Encore! Encore! Let’s hear it again! † The sweetest sound your conversation partner can hear from your lips when you’re talking with a group of people is â€Å"Tell them about the time you . . . † Whenever you’re at a meeting or party with someone important to you, think of some stories he or she told you. Cho ose an appropriate one from their repertoire that the crowd will enjoy. Then shine the spotlight by requesting a repeat performance. Technique #22 Ac-cen-tu-ate the Pos-i-tive ( a ache see smile chipkaa daaalnay ka,with +tve ness haan ) When ? rst meeting someone, lock your closet door and ave your skeletons for later. You and your new good friend can invite the skeletons out, have a good laugh, and dance over their bones later in the relationship. But now’s the time, as the old song says, to â€Å"ac-cen-tu-ate the pos-i-tive and elim-i-nate the neg-a-tive. † Technique #23 The Latest News . . . Don’t Leave Home Without It ( upto date rahoo†¦ BOLE toh TIP TOP) The last move to make before leaving for the party— even after you’ve given yourself ? nal approval in the mirror—is to turn on the radio news or scan your newspaper. Anything that happened today is good material. Knowing the big-deal news of the moment is lso a defensive move tha t rescues you from putting your foot in your mouth by asking what everybody’s talking about. Foot-in-mouth is not very tasty in public, especially when it’s surrounded by egg-on-face. The Right Way to Find Out So how do you ? nd out what someone does for a living? (I thought you’d never ask. ) You simply practice the following eight words. All together now: â€Å"How . . . do . . . you . . . spend . . . most . . . of . . . your . . . time? † Technique #24 What Do You Do—NOT! A sure sign you’re a Somebody is the conspicuous ab- sence of the question, â€Å"What do you do? † (You deter- ine this, of course, but not with those four dirty words that label you as either a ruthless networker, a social climber, a gold-digging husband or wife hunter, or someone who’s never strolled along Easy Street. ) Technique #25 The Nutshell Resume (apna character bhale he acha ho , alag alag log say miltay ho apna parichay badaltay raheyay†¦ lekin woh topic apna original ho†¦) Just as job-seeking top managers roll a different written resume off their printers for each position they’re applying for, let a different true story about your professional life roll off your tongue for each listener. Before responding to â€Å"What do you do? ask yourself, â€Å"What possible interest could this person have in my answer? Could he refer business to me? Buy from me? Hire me? Marry my sister? Become my buddy? † Wherever you go, pack a nutshell about your own life to work into your communications bag of tricks. Technique #26 Your Personal Thesaurus ( dude means that u shud use different words of same meaning in A COOL dude way†¦ ) Look up some common words you use every day in the thesaurus. Then, like slipping your feet into a new pair of shoes, slip your tongue into a few new words to see how they ? t. If you like them, start making permanent replacements. Remember, only ? fty words makes the difference between a rich, creative vocabulary and an average, middle-of-the-road one. Substitute a word a day for two months and you’ll be in the verbally elite. Technique #27 Kill the Quick â€Å"Me, Too! † ( jaldee mat kehna, mujay bhee but thoda wait karna chaiyay fir thoday tym k baad kehna chaiyay ) Whenever you have something in common with someone, the longer you wait to reveal it, the more moved (and impressed) he or she will be. You emerge as a con? dent big cat, not a lonely little stray, hungry for quick connection with a stranger. P. S. : Don’t wait too long to reveal your shared nterest or it will seem like you’re being tricky. Technique #28 Comm-YOU-nication ( pehlay aap ) Start every appropriate sentence with you. It immedi- ately grabs your listener’s attention. It gets a more positive response because it pushes the pride button and saves them having to translate it into â€Å"me† terms. W hen you sprinkle you as liberally as salt and pepper throughout your conversation, your listeners ?nd it an irresistible spice. Technique #29 The Exclusive Smile (use happydent sumtym LOL,issmile usee ko do JO hamay pasand aae ) If you ? ash everybody the same smile, like a Confed- erate dollar, it loses value. When meeting groups of people, grace each with a distinct smile. Let your smiles grow out of the beauty big players ? nd in each new face. If one person in a group is more important to you than the others, reserve an especially big, ? ooding smile just for him or her. Technique #30 Don’t Touch a Cliche with a Ten-Foot Pole ( koi NOOB jaisa word mat bhakna) Be on guard. Don’t use any cliches when chatting with big winners. Don’t even touch one with a ten-foot pole. Never? Not even when hell freezes over? Not unless you want to sound dumb as a doorknob. Instead of coughing up a cliche, roll your own clever phrases by using the next technique. Technique #31 Use Jawsmith’s Jive (Rhymin words but u Gotta be cool and only U ) Whether you’re standing behind a podium facing thousands or behind the barbecue grill facing your family, you’ll move, amuse, and motivate with the same skills. Read speakers’ books to cull quotations, pull pearls of wisdom, and get gems to tickle their funny bones. Find a few bon mots to let casually slide off your tongue on chosen occasions. If you want to be notable, dream up a crazy quotable. Make ’em rhyme, make ’em clever, or make ’em funny. Above all, make ’em relevant. Technique #32 Call a Spade a Spade ( bade log ko bade key tarah he maana chaiyay.. Don’t hide behind euphemisms. Call a spade a spade. That doesn’t mean big cats use tasteless four-letter words when perfectly decent ? ve- and six-letter ones exist. They’ve simply learned the King’s English, and they speak it. Here’s another way to tell the bi g players from the little ones just by listening to a few minutes of their conversation. Technique #33 Trash the Teasing ( kabhe bhe group talk may paiso so related Kisee aadmi par topic ya joke nahe karna chaiyay ) A dead giveaway of a little cat is his or her proclivity to tease. An innocent joke at someone else’s expense may get you a cheap laugh. Nevertheless, the big cats will ave the last one. Because you’ll bang your head against the glass ceiling they construct to keep little cats from stepping on their paws. Never, ever, make a joke at anyone else’s expense. You’ll wind up paying for it, dearly. Technique #34 It’s the Receiver’s Ball ( bad news ko smile,a relaxd whali breath k saath yaa thoda udaaseen ho expression kum he dikha kar batana chaiyay) A football player wouldn’t last two beats of the time clock if he made blind passes. A pro throws the ball with the receiver always in mind. Before throwing out any news, keep your receiver in mind. Then deliver it with a smile, a sigh, or a sob. Not ccording to how you feel about the news, but how the receiver will take it. Technique #35 The Broken Record (Pagaal ko log ko PAGAL banaanay ka ek he tarekaa,unchaahe baat puchnay par ek he baat ka REPETITION key jiyay) Whenever someone persists in questioning you on an unwelcome subject, simply repeat your original response. Use precisely the same words in precisely the same tone of voice. Hearing it again usually quiets them down. If your rude interrogator hangs on like a leech, your next repetition never fails to ? ick them off. Technique #36 Big Shots Don’t Slobber (fattu log key tarah mat khaday rayna†¦TAREEF jaldee say na karna.. alkee yeh kehna aap nay †¦ yeh sab kia mujay essay khushii mile DHANYAWAAD) .. People who are VIPs in their own right don’t slobber over celebrities. When you are chatting with one, don’t compliment her work, simply say how much pleasure or insight ità ¢â‚¬â„¢s given you. If you do single out any one of the star’s accomplishments, make sure it’s a recent one, not a memory that’s getting yellow in her scrapbook. If the queen bee has a drone sitting with her, ? nd a way to involve him in the conversation. Technique #37 Never the Naked Thank You ( thankU ko dilsay badachadakar bolo) Never let the phrase â€Å"thank you† stand alone. From A o Z, always follow it with for: from â€Å"Thank you for asking† to â€Å"Thank you for zipping me up. † Technique #38 Scramble Therapy ( do sumthin CRAZY bro†¦ ) Once a month, scramble your life. Do something you’d never dream of doing. Participate in a sport, go to an exhibition, hear a lecture on something totally out of your experience. You get 80 percent of the right lingo and insider questions from just one exposure. If you take a piece of blue litmus paper and dip it in a huge vat of acid, the tip turns pink. If you take another blue litm us paper and dip it into just one minuscule drop of acid on a glass slide, the tip turns just as pink. Compare this to participating in an activity just one time. A sampling gives you 80 percent of the conversa- tional value. You learn the insider’s questions to ask. You start using the right terms. You’ll never be at a loss again when the subject of extracurricular interests comes up—which it always does. Technique #39 Learn a Little Jobbledygook ( dude u gotta show interest in their lyf interest abt things which they lyk) Big winners speak Jobbledygook as a second language. What is Jobbledygook? It’s the language of other professions. Why speak it? It makes you sound like an insider. How do you learn it? You’ll ? d no Jobbledygook cassettes in the language section of your bookstore, but the lingo is easy to pick up. Simply ask a friend who speaks the lingo of the crowd you’ll be with to teach you a few opening questions. The words are few and the rewards are manifold. Technique #40 Baring Their Hot Button (PEOPLE k characters and status ko d ekhkar achay saawal pucho wid’out TENSION) Before jumping blindly into a bevy of bookbinders or a drove of dentists, ? nd out what the hot issues are in their ? elds. Every industry has burning concerns the outside world knows little about. Ask your informant to bare the industry buzz. Then, to heat the conversation up, push those buttons. Technique #41 Read Their Rags ( uska man pasand hobby dekho†¦ uskay bare may jaankar eekata karoo) Is your next big client a golfer, runner, swimmer, surfer, or skier? Are you attending a social function ? lled with accountants or Zen Buddhists—or anything in between? There are untold thousands of monthly magazines serving every imaginable interest. You can dish up more information than you’ll ever need to sound like an insider with anyone just by reading the rags that serve their racket. (Have you read your latest copy of Zoonooz yet? ) Technique #42 Clear â€Å"Customs† Before putting one toe on foreign soil, get a book on dos and taboos around the world. Before you shake hands, give a gift, make gestures, or even compliment anyone’s possessions, check it out. Your gaffe could gum up your entire gig. Technique #43 Bluffing for Bargains ( dude u wanna know the thing ,whaz it ? then buy it) PUCHtaach karo The haggling skills used in ancient Arab markets are alive and well in contemporary America for big-ticket items. Your price is much lower when you know how to deal. Before every big purchase, ? nd several vendors—a few to learn from and one to buy from. Armed with a ew words of industryese, you’re ready to head for the store where you’re going to buy. Technique #44 Be a Copyclass Watch people. Look at the way they move. Small movements? Big movements? Fast? Slow? Jerky? Fluid? Old? Young? Classy? Trashy? Pretend the person you are talking to is your danc instructor. Is he a jazzy mover? Is she a balletic mover? Watch his or her body, and then imitate the style of movement. That makes your conversation partner subliminally real comfy with you. Technique #45 Echoing Echoing is a simple linguistic technique that packs a powerful wallop. Listen to the speaker’s arbitrary choice f nouns, verbs, prepositions, adjectives—and echo them back. Hearing their words come out of your mouth creates subliminal rapport. It makes them feel you share their values, their attitudes, their interests, their experiences. Technique #46 Potent Imaging Does your customer have a garden? Talk about â€Å"sowing the seeds for success. † Does your boss own a boat? Tell him or her about a concept that will â€Å"hold water† or â€Å"stay a? oat. † Maybe he is a private pilot? Talk about a concept really â€Å"taking off. † She plays tennis? Tell her it really hits the â€Å"sweet spot. † Evoke your listener’s interests or lifestyle and weave images around it. To give your points more power and punch, use analogies from your listener’s world, not your own. Potent Imaging also tells your listeners you think like them and hints you share their interests. Technique #47 Employ Empathizers Don’t be an unconscious ummer. Vocalize complete sentences to show your understanding. Dust your dialogue with phrases like â€Å"I see what you mean. † Sprinkle it with sentimental sparklers like â€Å"That’s a lovely thing to say. † Your empathy impresses your listeners and encourages them to continue. Technique #48 Anatomically Correct Empathizers What part of their anatomy are your associates talking through? Their eyes? Their ears? Their gut? For visual people, use visual empathizers to make them think you see the world the way they do. For auditory folks, use auditory empathizers to make them think you hear them loud and clear. For kinesthetic types, use kinesthetic empathizers to make them think you feel the same way they do. #49 How to Make ’Em Think We (Instead of You vs. Me ) 1. Level One: Cliches Two strangers talking together primarily toss cliches back and forth. For instance, when chatting about the universally agreed- upon world’s dullest subject—the weather—one stranger might say to the other, â€Å"Beautiful sunny weather we’ve been having. Or, â€Å"Boy, some rain, huh? † That’s level one, cliches. 2. Level Two: Facts People who know each other but are just acquaintances often dis- cuss facts. â€Å"You know, Joe, we’ve had twice as many sunny days this year to date as last. † Or, â€Å"Yeah, well, we ? nally decided to pu t in a swimming pool to beat the heat. † 3. Level Three: Feelings and Personal Questions When people become friends, they often express their feelings to each other, even on subjects as dull as the weather. â€Å"George, I just love these sunny days. † They also ask each other personal ques- tions: â€Å"How about you, Betty? Are you a sun person? † 4. Level Four: We Statements Now we progress to the highest level of intimacy. This level is richer than facts and creates more rapport than feelings. It’s we and us statements. Friends discussing the weather might say, â€Å"If we keep having this good weather, it’ll be a great summer. † Lovers might say, â€Å"I hope this good weather keeps up for us so we can go swimming on our trip. † A technique to achieve the ultimate verbal intimacy grows out of this phenomenon. Simply use the word we prematurely. You can use it to make a client, a prospect, a stranger feel you are already friends. Use it to make a potential romantic partner feel the two of you are already an item. I call it the â€Å"Premature We. † In casual conversation, simply cut through levels one and two. Jump straight to three and four. Chemistry, charisma, and con? dence are three characteristics shared by big winners in all walks of life. Part One helped us make a dynamic, con? dent, and charismatic ? rst impression with body language. In Part Two, we put smooth small-talk lyrics to our body ballet. Then in Part Three, we seized hints from the big boys and big girls so we’re contenders for life’s big league. Part Four rescued us from being tongue-tied with folks with whom we have very lit- tle in common. And in Part Five, we learned techniques to create instant chemistry, instant intimacy, instant rapport. Mind boggling, isn’t it? Sociologists’ research shows: 1) a com- pliment from a new person is more potent than from someone you already know, 2) your compliment has more credibility when given to an unattractive person or an attractive person whose face you’ve never seen, 3) you are taken more seriously if you preface your comments by some self-effacing remark—but only if your listener perceives you as higher on the totem pole. If you’re lower, yourself-effacing remark reduces your credibility. Complicated, this complimenting stuff. Technique #51 Grapevine Glory A compliment one hears is never as exciting as the one he overhears. A priceless way to praise is not by telephone, not by telegraph, but by tell-a-friend. This way you escape possible suspicion that you are an apple-polishing, bootlicking, egg-sucking, back- scratching sycophant trying to win brownie points. You also leave recipients with the happy fantasy that you are telling the whole world about their greatness. Technique #52 Carrier Pigeon Kudos People immediately grow a beak and metamorphosize themselves into carrier pigeons when there’s bad news. It’s called gossip. ) Instead, become a carrier of good news and kudos. Whenever you hear something complimentary about someone, ? y to them with the compliment. Your fans may not posthumously stuff you and put you on display in a museum like Stumpy Joe. But everyone loves the carrier pigeon of kind thoughts. Carry More Cargo than Compliments Another wa y to warm hearts and win friends is to become a car- rier pigeon of news items that might interest the recipient. Call, mail, or E-mail people with information they might ? nd interesting. Technique #53 Implied Magnificence Throw a few comments into your conversation that resuppose something positive about the person you’re talking with. But be careful. Don’t blow it like the well- intentioned maintenance man. Or the southern boy who, at the prom, thought he was ? attering his date when he told her, â€Å"Gosh, Mary Lou, for a fat gal you dance real good. † Technique #54 Accidental Adulation Become an undercover complimenter. Stealthily sneak praise into the parenthetical part of your sentence. Just don’t try to quiz anyone later on your main point. The joyful jolt of your accidental adulation strikes them temporarily deaf to anything that follows. Technique #55 Killer Compliment Whenever you are talking with a stranger you’d like to make part of your professional or personal future, search for one attractive, speci? c, and unique quality he or she has. At the end of the conversation, look the individual right in the eye. Say his or her name and proceed to curl all ten toes with the Killer Compliment. Rule #1: Deliver your Killer Compliment to the recipi- ent in private. If you are standing with a group of four or ? ve people and you praise one woman for being ? t, every other woman feels like a barrel of lard. If you tell one man he has wonderful carriage, every other feels like a hunchback. You also make the blushing recipient uncomfortable. Rule #2: Make your Killer Compliment credible. For example, I’m tone-deaf. If I’m forced to sing even a simple song like â€Å"Happy Birthday,† I sound like a sick pig. If anyone in earshot were foolish enough to tell me they liked my voice, I’d know it was hogwash. Rule #3: Confer only one Killer Compliment per half year on each recipient . Otherwise you come across as insincere, groveling, obsequious, pandering, and a thoroughly manipulative person. Not cool. With careful aim, the Killer Compliment captures everyone. It works best, however, when you use it judiciously on new cquaintances. If you want to praise friends every day, employ the next technique. Technique #56 Little Strokes Don’t make your colleagues, your friends, your loved ones look at you and silently say, â€Å"Haven’t I been pretty good today? † Let them know how much you appreciate them by caressing them with verbal Little Strokes like â€Å"Nice job! † â€Å"Well done! † â€Å"Cool! † Technique #57 The Knee-Jerk â€Å"Wow! † Quick as a blink, you must praise people the moment they a ? nish a feat. In a wink, like a knee-jerk reaction say, â€Å"You were terri? c! † Don’t worry that they won’t believe you. The euphoria of the moment has a strangely numbing effect n the achiever’s objective judgment. Technique #58 Boomeranging Just as a boomerang ? ies right back to the thrower, let compliments boomerang right back to the giver. Like the French, quickly murmur something that expresses â€Å"That’s very kind of you. † Technique #59 The Tombstone Game Ask the important people in your life what they would like engraved on their tombstone. Chisel it into your memory but don’t mention it again. Then, when the moment is right to say â€Å"I appreciate you† or â€Å"I love you,† ? ll the blanks with the very wor ds they gave you weeks earlier. You take people’s breath away when you feed their eepest self-image to them in a compliment. â€Å"At last,† they say to themselves, â€Å"someone who loves me for who I truly am. † Technique #60 Talking Gestures Think of yourself as the star of a personal radio drama every time you pick up the phone. If you want to come across as engaging as you are, you must turn your smiles into sound, your nods into noise, and all your gestures into something your listener can hear. You must replace your gestures with talk. Then punch up the whole act 30 percent! Technique #61 Name Shower People perk up when they hear their own name. Use it more often on the phone than you would in person to eep their attention. Your caller’s name re-creates the eye contact, the caress, you might give in person. Saying someone’s name repeatedly when face-to-face sounds pandering. But because there is physical distance between you on the phoneâ₠¬â€sometimes you’re a conti- nent apart—you can spray your conversation with it. Technique #62 â€Å"Oh Wow, It’s You! † Don’t answer the phone with an â€Å"I’m just sooo happy all the time† attitude. Answer warmly, crisply, and professionally. Then, after you hear who is calling, let a huge smile of happiness engulf your entire face and spill over into your voice. You make your caller feel as hough your giant warm fuzzy smile is reserved for him or her. Technique #63 The Sneaky Screen If you must screen your calls, instruct your staff to ? rst say cheerfully, â€Å"Oh yes, I’ll put you right through. May I tell her who’s calling? † If the party has already identi? ed himself, it’s â€Å"Oh of course, Mr. Whoozit. I’ll put you right through. † When the secretary comes back with the bad news that Mr. or Ms. Bigwig is unavailable, callers don’t take it personally and never feel screened . They fall for it every time, just like I did. Technique #64 Salute the Spouse Whenever you are calling someone’s home, always identify nd greet the person who answers. Whenever you call someone’s of? ce more than once or twice, make friends with the secretary. Anybody who is close enough to answer the phone is close enough to sway the VIP’s opinion of you. Technique #65 What Color Is Your Time? No matter how urgent you think your call, always begin by asking the person about timing. Either use the What Color Is Your Time? device or simply ask, â€Å"Is this a convenient time for you to talk? † When you ask about timing ? rst, you’ll never smash your footprints right in the middle of your telephone partner’s sands of time. You’ll never get a â€Å"No! just because your timing wasn’t right. How to Impress Everyone with Your Outgoing Voicemail Message And here’s the secret: to give the impression you are really on top of your business, change your message every day. Studies show that callers perceive people to be brighter and more ef? cient when they hear an updated message each time they call. If appropriate, let callers know where you are and when you intend to be back. If you have customers who need to be attended to, this is crucial. Technique #66 Constantly Changing Outgoing Message If you want to be perceived as conscientious and eliable, leave a short, professional, and friendly greeting as your outgoing message. No music. No jokes. No inspirational messages. No boasts, bells, or whistles. And here’s the secret: change it every day. Your message doesn’t have to be ? awless. A little cough or stammer gives a lovely unpretentious reality to your message Technique #67 Your Ten-Second Audition ( just keep in suspense†¦. ) While dialing, clear your throat. If an answering machine picks up, pretend the beep is a big Broadway producer saying â€Å"Nexxxt. † Now you’ re on. This is Your Ten-Second Audition to prove you are worthy of a quick callback. Technique #68 The Ho-Hum Caper Instead of using your party’s name, casually let the pronoun he or she roll off your tongue. Forget â€Å"Uh, may I speak to Ms. Bigshot please? † Just announce, â€Å"Hi, Bob Smith here, is she in? † Tossing the familiar she off your tongue signals to the secretary that you and her boss are old buddies. Technique #69 â€Å"I Hear Your Other Line†(I can hear U other lyn†¦kuch kaam hai apko ussay..? When you hear a phone in the background, stop speaking—in midsentence, if necessary—and say â€Å"I hear your other line,† (or your dog barking, your baby crying, your spouse calling you). Ask whether she has o attend to it. Whether she does or not, she’ll know you’re a top communicator for asking. Technique #70 Instant Replay Record all your business conversations and listen to them again. The second or third time, you pick up on signi? cant subtleties you missed the ? rst time. It’s like football fans who often don’t know if there was a fumble until they see it all over again in Instant Replay. Use the Six-Point Party Checklist—the Who? When? Why? Where? What? and How? of a party—as your general game plan. Now let’s get down to speci? cs. Technique #71 Munching or Mingling Politicians want to be eyeball to eyeball and belly to elly with their constituents. Like any big winner well versed in the science of proxemics and spatial relationships, they know any object except their belt buckle has the effect of a brick wall between two people. Therefore they never hold food or drink at a party. Come to munch or come to mingle. But do not expect to do both. Like a good politician, chow down before you come. Technique #72 Rubberneck the Room When you arrive at the gathering, stop dramatically in the doorway. Then s-l-o-w-l-y survey the situation. Let your eyes travel back and forth like a SWAT team ready in a heartbeat to wipe out anything th at moves. Technique #73 Be the Chooser, Not the Choosee( baagha key tarah khaday mat raho.. jo bakra pasaand aaya usko manaao) The lifelong friend, the love of your life, or the business contact who will transform your future may not be at the party. However, someday, somewhere, he or she will be. Make every party a rehearsal for the big event. Do not stand around waiting for the moment when that special person approaches you. You make it happen by exploring every face in the room. No more â€Å"ships passing in the night. † Capture whatever or whomever you want in your life. Technique #75 Tracking Like an air-traf? controller, track the tiniest details of your conversation partners’ lives. Refer to them in your conversation like a major news story. It creates a power- ful sense of intimacy. When you invoke the last major or minor event in anyone’s life, it con? rms the deep conviction that he or she is an old-style hero around whom the world revolves. And people love you for recognizing their stardom. Technique #76 The Business Card Dossier Right after you’ve talked to someone at a party, take out your pen. On the back of his or her business card write notes to remind you of the conversation: his favorite restaurant, sport, movie, or drink; whom she dmires, where she grew up, a high school honor; or maybe a joke he told. In your next communication, toss off a reference to the favorite restaurant, sport, movie, drink, hometown, high school honor. Or reprieve the laugh over the great joke. Like a sales pro, ask yourself, â€Å"How can I change the subject to turn this person on? † Technique #77 Eyeball Selling The human body is a twenty-four-hour broadcasting station that transmits â€Å"You thrill me. † â€Å"You bore me. † â€Å"I love that aspect of your product. † â€Å"That one puts my feet to sleep. † Set the hidden cameras behind your eyeballs to pick up on all your customers’ and friends’ signals. Then plan your pitch and your pace accordingly. Technique #78 See No Bloopers, Hear No Bloopers Cool communicators allow their friends, associates, acquaintances, and loved ones the pleasurable myth of being above commonplace bloopers and embarrassing biological functions. They simply don’t notice their comrades’ minor spills, slips, fumbles, and faux pas. They obviously ignore raspberries and all other signs of human frailty in their fellow mortals. Big winners never gape at another’s gaffes. Technique #79 Lend a Helping Tongue Whenever someone’s story is aborted, let the interrup- tion play itself out. Give everyone time to dote on the little darling, give their dinner order, or pick up the jagged pieces of china. Then, when the group reassembles, simply say to the person who suffered story-interruptus, â€Å"Now please get back to your story. † Or better yet, remember where they were and then ask, â€Å"So what happened after the . . . † (and ? ll in the last few words). When asking someone for a favor, let them know how mu t means to you. You come across as a straight shooter, and the joy of helping you out is often reward enough. Don’t deny them th leasure! Technique #80 Bare the Buried WIIFM (and WIIFY) Whenever you suggest a meeting or ask a favor, divulge the respective bene? ts. Reveal what’s in it for you and what’s in it for the other person—even if it’s zip. If any hidden agenda comes up later, you get labeled a sly fox. Technique #81 Let ’Em Savor the Favor Whenever a friend agrees to a favor, allow your generous buddy time to relish the joy of his or her bene? cence before you make them pay the piper. How long? At least twenty-four hours. Technique #82 Tit for (Wait . . . Wait) Tat When you do someone a favor and it’s obvious that â€Å"he owes you one,† wait a suitable amount of time before asking him to â€Å"pay. Let him enjoy the fact (or ? ction) that you did it out of friendship. Don’t call in your tit for their tat too swiftly(fastly). Technique #83 Parties Are for Pratter There are three sacred safe havens in the human jungle where even the toughest tiger knows he must not attack. The ? rst of these is parties. Parties are for pleasantries and good fellowship, not for confrontations. Big players, even when standing next to their enemies at the buffet table, smile and nod. They leave tough talk for tougher settings. Technique #84 Dinner’s for Dining The most guarded safe haven respected by big winners is the dining table. Breaking bread together is a time when they bring up no unpleasant matters. While eating, they know it’s OK to brainstorm and discuss the positive side of the business: their dreams, their desires, their designs. They can free associate and come up with new ideas. But no tough business. Technique #85 Chance Encounters Are for Chitchat If you’re selling, negotiating, or in any sensitive communication with someone, do NOT capitalize on a chance meeting. Keep the melody of your mistaken meeting sweet and light. Otherwise, it could turn into your swan song with Big Winner. Technique #86 Empty Their Tanks If you need information, let people have their entire say ?rst. Wait patiently until their needle is on empty and the last drop drips out and splashes on the cement. It’s the only way to be sure their tank is empty enough of their own inner noise to start receiving your ideas. Technique #87 Echo the Emo Facts speak. Emotions shout. Whenever you need facts from people about an emotional situation, let them emote. Hear their facts but empathize like mad with their emotions. Smearing on the emo is often the only way to calm their emotional storm. Technique #88 My Goof, Your Gain Whenever you make a boner, make sure your victim ene? ts. It’s not enough to correct your mistake. Ask yourself, â€Å"What could I do for this suffering soul so he or she will be delighted I made the ? ub? † Then do it, fast! In that way, your goof will become your gain. Technique #89 Leave an Escape Hatch Whenever you catch someone lying, ? lching, exagger- ating, distorting, or deceiving, don’t confront the dirty duck directly. Unless it is your responsibility to catch or correct the culprit—or unless you are saving other innocent victims by doing so—let the transgressor out of your trap with his tricky puss in one piece. Then resolve never to gaze upon it again. Technique #90 Buttercups for Their Boss ( makhhan maarkay) Do you have a store clerk, accountant, law ? rm junior partner, tailor, auto mechanic, maitre d’, massage therapist, kid’s teacher—or any other worker you want special attention from in the future? The sure? re way to make them care enough to give you their very best is send a buttercup to their boss. Technique #91 Lead the Listeners No matter how prominent the big cat behind the podium is, crouched inside is a little scaredy-cat who is anxious about the crowd’s acceptance. Big winners recognize you’re a fellow big winner when they see you leading their listeners in a positive eaction. Be the ? rst to applaud or publicly commend the man or woman you agree with (or want favors from). Big winners—before putting pen to paper, ? ngers to key- board, mouth to phone, or hand to someone else’s to shake it— do a quick calculation. They ask themselves â€Å"Who has the most to bene? t from th is relationship? What has each of us done recently that demands deference from the other? † And what can I do to even the score? Remember, repeating an action makes a habit. Your habits create your character. And your character is your destiny. May success be your destiny. Cheer UP bro†¦. 😀 ***************

Flight Operations Quality Assurance Essay Example | Topics and Well Written Essays - 1250 words

Flight Operations Quality Assurance - Essay Example He further said that the collection and availability of the data is of little use unless the problems, which were previously identified, are corrected. It is his recommendation that questions should be understood and answered by acting upon it accordingly. describes the activity tracking methodology of the CATS or Crew Activity Tracking System. CATS immediately identifies the error on commission and omission that leads to deviation. It is also useful in detecting procedural deviations that were not detected before. Moreover, CATS performance. CATS improve safety measures by using FOQA flight data to improve feedback. Should CATS have access to data regarding aircraft state, clearance constraints and pilot actions it could determine nuances in detail for efficient data analysis. immediate maintenance rather than performing maintenance at a schedule time interval. So, if an aircraft part needs to be changed after a flight then it must be done as soon as possible and does not need to wait for the part to be changed within the following week for its supposed regular schedule for maintenance check-up. This study by Stolzer (2002) recommends the use of a FOQA data-driven fuel consumption model to be use to find out why an aircraft uses a higher quantity of fuel than the actual amount prescribed by the air craft manufacturer. Since fuel is one of the major expenses of an airline company, it is imperative to consider whether the more than normal fuel consumption of fuel could be attributed to airframe or engine abnormalities. Whatever good results derived from the FOQA data-driven fuel consumption model to improve the safety of air travel must be incorporated within the overall quality system. According to Stolzers (2002) previous volume of this study, abnormal fuel consumption should be critically analyzed and data must be preserved within the ongoing quality assurance program of the air carrier. In this

Compare and contrast the European and North American freight Case Study

Compare and contrast the European and North American freight transportation systems, globalized trade, and global policy implications - Case Study Example America and most countries in Europe boast of different kinds of freight systems, which have been instrumental in the growth of their economies. This paper makes a comparison of the global freight systems that have been established in the United States and most countries in Europe. Today’ globalization has brought about very many changes with respect to long-distance transport, as well as communication costs between and among countries of the world. In the past, it was agreed that trade costs did not hold any major impact as far as the structure and quantity of global trade were concerned. However, at present, these costs are now being considered and acknowledge ad being of great importance. Currently, the distribution systems in the global freight can be said to have been brought about by the convergence that has been necessitated by technology, modes and terminals, as well as infrastructure (Debrie & Gouvernal 2006). One of the things that have stood out significantly behind the process of standardization of these global freight systems has been containerization. This development has resulted in the emergence of strategies in supply chain management like maritime shipping. Europe and North America are among the major markets of the world; these two regions have huge notable commonalities in terms of strong and stable import functions (Rodrigue, Comtois & Slack 2009). The global functions in this perspective are made up of inbound logistics; in addition, there are many highly developed shipment distribution systems that link these two regions, necessitating their comprehensive trade flows. Different researches that have been carried out on this issue have indicated that these two regions are still walking similar paths when it comes configuration of their logistics networks and transport infrastructure. The operational decisions, as well as the establishments of regulatory frameworks are guiding and necessitating these

Personal bias paper Essay Example | Topics and Well Written Essays - 250 words

Personal bias paper - Essay Example They also acknowledge that the phenomenon of socio-economic status is real. Apart from these fundamental realizations, the education also focuses on the physical ability of individuals (Prasad 67). The issue of physical ability is fundamental in explaining the divergences between people. Not everyone can have the ability to undertake certain actions. This is attributable to the nature of their physical ability. Family education requires committed educators who must have adequate faith and appropriate styles in their roles as educators. Faith allows educators to believe in the culture and meaning of culture practice. This implies that the educators make their students acknowledge the existence of cultural practices because of the faith that they continue to show. It also makes the family educators develop a consistent style while they deliver fundamental lessons on family life (Prasad 43). It is beneficial for people to undergo both prescribed and informal family education classes. This will improve human relations in families and societies. People will understand why certain occurrences take place and in turn prevent conflicts. Elements of misunderstanding between people from diverse socio-economic status will also be

Prepare a 3 page summary and analysis of the Freshman Lecture attended Assignment

Prepare a 3 page summary and analysis of the Freshman Lecture attended - Assignment Example Paul Johnson, in his lecture stated about the first project on the Rocky Mountain Arsenal (RMA), which provides a descriptive analysis on toxic horror, which spread over 27 square miles of Denver. As stated by Johnson, the main cause behind the worse effect of toxic horror was due to the launch of chemical weapons by the United State of American Army and the Pesticides by the Shell Chemical Company. The toxic pollution was the primary cause of destroying various lives of the Rocky Mountain Arsenal. The US Environmental Protection Agency (EPA) decides to detoxify the environment and prepare a team for cleaning up the locality. Paul Johnson was one of the team members of EPA (University of Colorado Boulder, 1994). In the session, he spoke about the next project, which was done to prevent Ground Water Pollution. As per the view of Paul Johnson the pollution level was high in the areas of California, Texas, and Florida due to the pollution. In this regard, EPA had decided to evaluate the main cause of the problem. It was witnessed that the primary cause of the pollution is due to the leaking of ground water tanks. In this context, data was collected by the Methyl Tertiary Butyl Ether (MTBE) to make an analysis related to the plum length. After the assessment of the research Paul Johnson decided that MTBE is an appropriate approach for mitigating the problem related to ground water pollution. Another aspect that was considered by Johnson in the lecture was about vapor intrusion. Vapor intrusion implies to the movement of explosive chemicals to the underlying buildings from the various layers of subsurface. These explosive chemicals can harm the various levels of air when mixed up with the pollut ed soil and ground water. The vapors can enter into the houses through the cracks of the building and be the reason of decompression in the buildings. Paul Johnson applied few models to preserve around three thousand houses from the vapor

Products Advertisement Essay Example | Topics and Well Written Essays - 250 words

Products Advertisement - Essay Example The essay "Products Advertisement" analyzes how different companies influence the people’s decision to purchase their goods and services which depend heavily on a number of subliminal messages. The messages give psychological convincement and persuasion to buy the commodities of particular organization or firm. The messages give psychological convincement and persuasion to buy the commodities of particular organization or firm. The more people see the subliminal messages the more they get persuaded to have a taste of the commodity advertised. Moreover, it also helps in creating awareness of the good sold. The subliminal messages play with the psychology of people by giving the mind the message that most people presume enjoyable. It may include sex images. In toure de France ads, the type of subliminal messages that they try to imitate are brand selling. However, they also have some product brand association included in their ads. Moreover, the types of subliminal messages that the Baskin Robins uses in its advertisements are a brand association. Even though they do little advertisements, the few that they do try to joke with the psychology of p0eople regarding the brand name of the firm. The Tostitos Company though presumed as a racist company tries to sell their brand name by the subliminal ads. However, Amazon uses brand association to advertise their products. However, they also use the sex ads to advertise their products. Tostitos uses political campaigning for their products.

The Creation of a New Emotional Language in Art by Bernini with His Literature review

The Creation of a New Emotional Language in Art by Bernini with His Apollo and Daphne - Literature review Example In fact, the statues have improved with the revival of Villa Borghese, which harbors Apollo, and Daphne. The statues get subjected to constant cleaning as well as scientific analysis as well as the commemoration of Bernini’s birth sparkled a lot of interest as seen with the many photographs, essays and bibliographies. In spite of the documentary data connecting to the statue group's formation, the representation that comes out of its sense and approach is anything but apparent (Bolland, 2000, 309). According to most arguments, the Apollo and Daphne are said to commemorate the intelligence based delights of fine art or may be to warn against the evil of passionate poetry brought about by the bitterness of the beauty of the world (Bolland, 2000, 309). The artwork can be seen as erotic the people assume that it might have made for a pleasure seeking client or sponsor. The artwork can also be considered a symbol or metaphor for sensual desire or desires specifically sculptured for a principal person in the society. The artwork can either be viewed as Marinist and Petrarchan when using imagery or anti-Marinist and anti Petrarchan as per its message (Bolland, 2000, 309). ... The essay also has its focus on the contradictory relationships that come under the eroticism that is created, as well as anti sensuality of craving and ploy (Bolland, 2009). Poetry, sculpture, and artwork are regarded as sister arts in that they have common effects on the senses of a person as they rouse the desires and pleasure as well as provide an avenue for obtaining understanding. Vision, although seen as divine, can easily be deceived or mislead and therefore, seen as the most efficacious way to provoke someone to commit a practice any sexual offence. The transformation of Bernini can be seen to emerge from the poet-god who happens to be Apollo and provides him with the model that he utilizes to build his mythical and stylish uniqueness by reproducing the poetics that come from within him. The sculptures were custom-made for Cardinal Scipione Borghese, and were used to beautify his well-lavished villa exterior to Porta Pinciana (Bolland, 2009). Soon after delivery of the colle ction of artworks, it marked the end to production of Bernini’s artwork in large scale for the cardinal as well as an end to production of impressive work that can still be credited today. It also suggested a change or transformation to the existence of both parties that are the cardinal and Bernini (Bolland, 2007). The change in the lives was noted in the life of the cardinal whose status declined soon after the death of Pope Paul V and the taking of the office by Pope Gregory XV. Borghese soon recovered from the changes that took place, and during this period, his influence had quite deteriorated compared to the period that Pope Paul V was in power. The sculpture of Apollo and

Compar and Contrast Essay Example | Topics and Well Written Essays - 1250 words

Compar and Contrast - Essay Example The elements of history were engraved in the stories that were left by the two writers. Scott Fitzgerald and Ernest Hemingway have similar time frame to tell but different experiences to share in their stories throughout their lives. In terms of the time they became popular in the field of literature, they boomed in different years but they both became famous for their works. Their works may conflict at times in terms of ideas, but throughout their career, they became friends that had eroded after certain number of years. Their friendship started when they first met each other in a bar called Dingo. Fitzgerald had accustomed to ask too much and flatter the strangers during first time conversations that gave Hemingway a negative connotation about the personality of Fitzgerald. A good example is the instance when Fitzgerald interrogated Hemingway regarding â€Å"having slept with his wife before they were married did not seem appropriate conversation, particularly from a total strange r,† (Lombardi). Despite of that incident, their friendship continued as both of them became prolific writers. Hemingway was not yet that famous during that time but Fitzgerald already had known something about Hemingway as Fitzgerald told his editor that Hemingway had the potential in literature (Lombardi). Fitzgerald assisted Hemingway in editing and promoting Hemingway’s work. Despite of the help given by Fitzgerald, it was said that Hemingway later on paid back Fitzgerald by mockery and deception as their friendship corroded (Kakutani). Some said that Hemingway had a habit of associating himself with famous and great writers to promote his works and advance his writing career. He associated himself with Gertrude Stein, John dos Passos, Dorothy Parker and many more (Lombardi). The friendship corroded especially in 1936 when Fitzgerald published the confessional article which he called The Crack-Up and the series of insults continued. Hemingway told something about Fit zgerald in his work The Snows of Kilimanjaro. Up until the death of Fitzgerald, Hemingway showed some insults for Fitzgerald through his works (Gent). For the next part, a focus would be given for the analysis of the short stories made by each writer and how the stories reflected their lives. The short story analysis begins with the works of Fitzgerald. Fitzgerald became well-known for his short stories in Flappers and Philosophers that reflected the youth culture and pursuit for wealth during the Roaring Twenties. During that time, the demands for stories in popular magazines were the type of stories made by Fitzgerald. His major success was in the field of short stories though in public he was known as the Poet Laureate of the Jazz Age and he even influenced other famous writers like J. D. Salinger and John O'Hara (Mangum 1368). The image of Fitzgerald really differs from his real accomplishment like his real self is different from the way he projected himself in public. Also as h e deemed himself to be good at writing short stories for popular magazines, he explained it to Hemingway the reason why he had chosen to write short stories as revealed in A Moveable Feast by Hemingway: he was â€Å"whoring but that he had to do it as he made his money from the magazines to have money ahead to write decent books,† (Mangum 57). He was both a professional writer and a literary artist though he focused on

The voltage in will change Essay Example for Free

The voltage in will change Essay Aim: I am going to carry out an investigation to find how the resistance of Resistor 1 affects the output voltage of a potential divider circuit There are several different factors that can affect the voltage out, when the resistance of Resistor 1 is changed. List of key factors 1. Voltage in 2. Voltage out 3. Resistor 1 I have chosen resistor 1 because, it is an advanced experiment, and will give me much to investigate/analyse and so I shall choose this variable. And I will be able to see just how the resistance affects the Voltage out (Vout. ) 4. Resistor 2 5. Resistor 1 and 2 6. Length of the wire 7. Type of wire. 8. Ammeter (The equipment used to measure the voltage) 9. Voltmeter 10. Digital multi-meter 11. Material of wire 12. Cross section of wire These factors if not controlled can affect the experiment and give me false data. The other factors must be controlled to make sure that I am measuring the affects of the correct (input variable) that I have chosen, (in this case the resistance of resistor 1. ) These factors are known as the control variables and they give you something to compare your results with, (and make your experiment repeatable, as you will have kept the conditions for your experiment the same. ) The output variable is the variable that will change due to the input variable in this case the Voltage out. (The other factors are mainly kept the same for accuracy. ) In my experiment I will be using a potential divider circuit (A circuit diagram of two fixed resistors in series. They can be used to split the voltage of a circuit) to find out how changing the resistance of Resistor 1 affects the total output voltage of a potential divider circuit. I will take all possible variables into consideration and I will try to make this experiment one which will create reliable and as accurate results. The experiment will be carried out in the school science lab where I will record the results and then conclude my experiment to prove whether my hypothesis correct or false. I predict that, when the resistance for Resistor 1 is increased the voltage out (Vout) will decrease. I know this because, the more atoms and electrons there are in a wire, the harder it is for the electrons (the current) to get past the atoms (the resistance) and around the circuit to the positive end. Diagram of an atom The nucleus of an atom consists of neutrons (neutral) and protons (positively charged), which are in a fixed stationary position. The electrons (negatively charged) on the outer shells however can move freely at high speeds. What is current? A metal wire is made of metal atoms; most metal atoms have one or two electrons in their outer energy level. When there is no conducted electricity present, the electrons will and can move freely in any direction. (Diagram of a metal compound, electrons moving freely, purple: electrons. Green: atoms) Delocalised electrons are spread across more than one atom. Electrons in materials are usually bound to one atom. Atoms are held together by the interactions of the charges on different atoms. In some cases, electrons can be shared between atoms, and are then called delocalised. The electrons will randomly move around the whole molecule structure and we end up with a regular lattice of metal atoms in a â€Å"sea of negatively charged electrons. † When electricity is introduced however the negatively charged electrons will instantly begin to move through the wire in the same direction (towards the positively charged end) this is an electric current, a current is the flow of charge in a wire or the movement of the negatively charged electrons through the wire. The electrons move like this because of the voltage (energy/ power) which â€Å"pushes† the current around the circuit. The energy is transferred from the power pack to the electrons that will equally share and give out the energy to each component in the circuit. By the time the electron has reached the end of the circuit it will have lost all the energy it will have in gained at the start (energy will be lost through components and resistance. ) Resistance is the opposition that the electrons will experience while flowing through the wire. An electron travelling through the wires encounters resistance. An electron does not travel in a direct route; instead it adopts a zigzag path due to the countless collisions with the atoms in the conducting material. When electrons move against the resistance, friction is generated. The friction produced by electrons flowing against the resistance will cause the wire to heat. (The hotter the wire, the higher the resistance. ) Resistance depends on the material, cross section and length. Resistance limits the amount of current flowing through the circuit for a given voltage of the power supply. For a circuit to work there must be no breaks, if there is a break then everything stops. An electric charge must also go all the way round the circuit. When a wire heats up they will act differently and a blockage will be made. This is a sign of Resistance. I have chosen to keep the voltage at 12 volts as this is the highest number of volts possible on the power pack. Using a higher voltage In, means that I will get higher results for Vout. I will also be able to record them in numbers that are easy to handle and work with, and a more significant range. Even though I have chosen my voltage to stay at stay 12 volts due to the power packs being not completely accurate, the voltage In will, change because I will be purposefully changing the resistance of the circuit. Everything in a circuit is not mutually exclusive; when one factor is changed every other factor will also change, as they are all interlinked and dependent on each other. As I know that the Voltage In will change, I will make sure that every time I test the resistance of the circuit I will also check the voltage of the circuit and record the result for that down too.

Effects Of Improper Waste Management Environmental Sciences Essay

Effects Of Improper Waste Management Environmental Sciences Essay The issue of Waste Management has be an ongoing issue in Nigeria but came into lime light in 1988 with the disposal of toxic waste in the then Delta State (Edo state). Nigeria as the most populous country in Africa has an estimated population size of about 160 million people, a growth rate of 2.37% and generates an annual municipal waste figure of 25,000,000 tones. This policy sets to identify the probable sources of waste generation, their effects, and disposal methodology and thereafter recommend mitigation strategy for Waste Management by proffering probable solution to its management by means of: Its Prevention, Its Reduction, Its Beneficial usage through the 3Rs of waste management and Development of Statutory, legal and legislative regulations for the management of waste. Although there are Federal and State Ministry of Environment, Environmental Protection Agency (State and Federal), we still have problems about enforcement of the responsibilities for regulation and monitoring to ensure legal, statutory and social compliance. COUNTRY PROFILE The Nigerian economy is one that has experienced a number of environmental problems in its over fifty (50) years of being an independent nation. There apparently seem to be no end in sight except a few radical changes are made to its economical and environmental policies. The waste management system in operation in Nigeria leaves a lot to be desired. The countrys current environmental issues include but are not limited to: Oil pollution and gas flaring (which affect water, aquatic lives, air, and lead to loss of arable land), Waste pollution (which causes air, land and water pollution), Rapid urbanization. A look at nine (9) of the major cities in Nigeria gives a fairly good idea of the disaster the country is looking at in terms of unchecked waste generation and management. The Map below shows each of the nine (9) states with their generated annual municipal waste One would expect that a country of such magnitude both in population size and economic importance will have structures in place to adequately combat the menace posed by waste generation and management but this is not the case as the country doesnt have a single sanitary landfill for waste disposal. It disposes waste in open landfills and dumps. SOURCES OF WASTE GENERATION The environment is a continuously changing one and the quantity of waste generated increases with an increase in population, peoples attitudes and rapid urbanization. In providing a solution and putting in place a policy to manage waste in the Nigerian economy a clear understanding of what waste is and how it is generated is required. What is waste? The United Nations Statistics Division (UNSD) defines waste as materials that are not prime products (that is products produced for the market) for which the generator has no further use in terms of his/her own purposes of production, transformation or consumption, and of which he/she wants to dispose. Waste is generated from: Residential waste: household waste and kitchen waste Commercial waste: office waste e.g. papers Institutional waste: papers Municipal waste: sludge and general waste Process waste: scraps Agricultural waste: pesticides Construction waste: wood, Concrete etc Drilling: Oil spillage, gas flaring, coal, ash Types of waste (Diagram) EFFECTS OF IMPROPER WASTE MANAGEMENT It is a well known fact that our environment is poorly protected and not many Nigerians know the actual scope and the ramifications of this problem. What is Waste Management? Waste management is the act of collection, storage and disposal of waste to prevent pollution, degradation of the environment. This ranges from ordinary household, industrial wastes even generated by factories and nuclear power plants. Proliferation of vermin: Dirt has been known to be the breeding grounds for vermin like rodents, mosquitoes and microbes Water pollution: This occurs mainly when ground water is contaminated from oil spillage and washed off chemicals that enter the ground. This has an adverse effect on marine life, drinking water and deforestation occurs because plants get contaminated water into their roots. Air pollution: This occurs when waste is incinerated indiscriminately in public without the proper facilities being used and even dumped in the open. The incinerated waste especially plastic release toxins that could produce acid rain and the smoke could cause lung damage. Land pollution: This occurs when waste is not deposited at proper disposal sites but is dumped in open landfills. This causes a blot on the landscape and a reduction in property price where such landfills are found. Public Health Issues: The unregulated dumping of waste which gives room for microbes and insect to breed creates health issues such as: malaria (mosquitoes), typhoid (contaminated home water source) etc. Reduction in Agricultural production: waste especially oil spillage, gas flaring, chemical contaminants reduce the quality of the soil and this in turn is noticed in the reduction of agricultural produce Methane production: which if not treated properly causes green house effect and add to ozone depletion (unmanaged waste smells and generates the gas) Climate change leads to an increase in the intensity and frequency of weather extremes, such as heat waves, floods, droughts and tropical cyclones. The people hardest hit by climate change and environmental degradation are those living in the most vulnerable areas such as coastal communities and Delta Regions in Nigeria. This climate change and the effects it generates lead to property damage, business interruption, forest fires and health risks. Flooding: This occurs when waste is disposed in drainages by man or by natural occurrence (washed by rain).This could causes flooding when rain falls. Erosion: The presence of chemical and toxic waste in the soil reduces its compatibility and causes soil wash off when rain falls. PROBLEMS: The problem of inadequate waste disposal and management practice in Nigeria is based on a few controllable factors that are highlighted as: Enlightenment: Nigerias citizens lack the general awareness of worlds best practices for waste disposal, management and the possible effects of non-compliance on their health. Meager funding: The funds allocated to each state for waste management is inadequate to battle the issues of environmental waste. States like Lagos have only 5-7% of the states allocation to battle waste management. Obsolete technology and inadequate equipment: The people who have been given the job of waste disposal and management do not have the equipments and technology to do the job. Inexperience of staff: The staff who have been allocated to manage waste disposal and management do not have the technical knowhow to go about doing the job. Incomplete policy to combat improper waste disposal: The policies on ground have not been improved to meet the changing population size, urbanization and worlds best practice. Sanitary Landfills: Nigeria as a country doesnt have a single sanitary landfill to its name. It uses open landfills and dumpsites for its waste disposal which is not hygienic and environmentally friendly. Traffic: This situation is more prominent in urban cities where the distance between the point of collection of waste and the disposal point could take a whole day to cover because of traffic congestion Legislature implementation: Nigeria has the uniqueness of making laws without having the legal presence to implement them and has cascaded to the waste management sector. Government Legislation: In situations where there are environmental laws in place, the fines attributed to breaking the laws are not a fair representation of the offence committed.eg Environmental Sanitation Edict NO:12.1985 stipulated a fine of two (200 ) naira or two( 2) months in prison for going out on sanitation days. GOVERNMENTS EFFORT SO FAR It is accepted that the Nigerian government has put in place several environmental bodies to curb the increasing environmental issues caused by waste generation. Such bodies include: Federal Environmental Protection Agency (FEPA) was established on 30th December, 1988 by the Federal Government to secure a quality environment for Nigerians. National Environmental Standards and Regulation Enforcement Agency (NESREA) was established in 1999 to enforce environmental laws. It was established as a subset of FEPA. Each state in Nigeria has its own Environmental Protection Agency e.g. Lagos State Environmental Protection Agency (LASEPA) State Ministry of Environment National Oil Spill Detection and Response Agency (NOSDRA) ADVISED SOLUTIONS (RECOMMENDATIONS) GOVERNMENT TECHNICAL SOLUTION. The technical solutions recommended for government approval are: Prevention of waste This technique will include practices like: increasing the shelf life of a product (increasing product warranty) by citizens in their everyday life. Waste Generation Reduction. The key to achieving waste generation reduction is for the government to create awareness. Educate people on the effects of waste generation on the economy, the environment and themselves and to advise them on waste generation reduction techniques of shopping. This technique says that: People should only purchase what they need (necessities and essentials) People should purchase reusable products and goods People should buy products with little packaging People should buy recyclable products Composting: The government should set up waste compositing sites at strategic parts of the country. Compositing involves the use of anaerobic bacteria at high temperature and in the presence of Oxygen to digest and breakdown biodegradable waste into different components that are harmless to the environment and the end product can be used as fertilizers by farmers. Recycling The Nigerian government has no recycling department or unit in its environmental agency and also has no recycling plant. The key to recycling is in educating people on the different classes of waste and the different means of disposal and separation. The process of recycling involves the reprocessing of waste to produce a different or new product. This process should involved both the government and the people Incineration: With the reduction of the water content in generated waste, incineration can be carried out in an enclosed space under certain conditions to generate heat and energy that can be used to generate electricity. The government should look at this option as another means for energy generation as with the population size in the country the waste generated will be put to better use. This can only be achieved if citizens develop the practice of classifying waste into: general waste, recyclable waste and reusable waste. Sanitary landfill: Nigeria as a country doesnt have a single sanitary landfill. A sanitary landfill is usually used for the final waste that cannot be reused, recycled or composited. The ground is dug and lined to prevent the contamination of ground water and the waste is packed and lined then covered with dirt to reduce its smell and to stop animals from digging it up. The sanitary landfill site should be located far from residential areas. The government should look at building a few sanitary landfills in key areas in the country GOVERNMENT GENERAL SOLUTION: Set up awareness campaign to educate people on the worlds waste disposal and management best practices Provide technical knowhow and training programmers to environmental waste management agency employees Companies and the type of waste they generate should be registered with the government so as to enable the government put facilities on ground to dispose and manage the waste. Different types of waste should have different disposable sites. The disposal and management responsibility of waste should be cascaded down. The government should get private investors who will assist them in managing the generated waste Encourage the generation of a professional body for waste disposal and management Ensure that there is accountability for any waste disposal issue that might arise in the country. Ensure waste policys are implemented Ensure that physical, informative and financial facilities are put on ground to adequately combat environmental waste disposal and management. Creation of an adequate legal frame work to try offenders of waste management laws will go a long way in. Finance research into waste reduction and waste utilization technique ECONOMIC BENEFITS OF RECOMMENDATIONS Methane: The methane generated from fermentation if managed properly can be used as cooking fuel. This the government can add as another source of cooking fuel instead of kerosene and firewood Re cycling: Stops flooding: Incineration: Heat and Energy generated through this process will be used in electricity generation which in turn reduces our reliance on hydrolic electricity generation Compositing: This is a source of fertilizer to farmers that is environmental friendly Agriculture: The improvement in soil quality will lead to a corresponding increase in agricultural produce which if exported is a source of foreign currency. Reduces erosion: The increase in comportment of the soil will reduces the probability of erosion occurring with rainfall Good ground water and aquatic life survival: This will provide clean water for human consumption and plant growth Healthy populace: With the advent of a sustainable environment the countrys population will be healthy and free of waste and water borne diseases.

Leones Spaghetti :: essays research papers fc

Leone’s Spaghetti   Ã‚  Ã‚  Ã‚  Ã‚  The â€Å"spaghetti† western, Sergio Leone’s conscious departure from what had come to be known as the â€Å"classic† western formula, became a modification of the conventions of the traditional genre. In the film For A Few Dollars More (Per qualque dollaro in pià ¹, 1965), Leone’s formula is developed through a reformed narrative structure, slight changes in the traditional characters, his unique style, and the simple use of language, which revolutionized the western.   Ã‚  Ã‚  Ã‚  Ã‚  The American â€Å"classic† western formula, according to Peter Bondanella in his essay A Fistful of Pasta: Sergio Leone and the Spaghetti Western, employed â€Å"a combination of narrative possibilities generated by three central roles: the townspeople (agents of civilization); savages or outlaws, who threaten the first group; and heroes, men who share certain characteristics of the second group, but who act ultimately on behalf of the representatives of civilization† (Bondanella, 255). Leone’s modification of the traditional narrative structure removed the townspeople, and in doing so eliminated civilization. He kept the outlaws, headed by an evil man with some sort of psychological scarring. Instead of one hero, there are two, who act not on behalf of society and order but their own personal gain. For A Few Dollars More revolves around these three main characters.   Ã‚  Ã‚  Ã‚  Ã‚  The first character introduced by Leone to the audience is Colonel Douglas Mortimer (Lee Van Cleef), â€Å"a retired soldier and bounty hunter motivated not only by profit but also the thirst for revenge† (Bondanella, 257) of his sister’s rape and death. He is a professional, who stalks his target from a distance with an assortment of rifles rolled up in his saddlebags; but to contrast with this cold delusion, Mortimer dresses in his black preacher’s costume and is a habitual reader of the Bible. He represents the older, wiser generation, which is destined to be extinct. Next, Leone introduces Mortimer’s competition and opposite, Manco (Clint Eastwood), a young stranger with his cigars and poncho, who blends with his surroundings. He is a bounty hunter who kills purely for profit and approaches his victims directly. Finally, the audience is introduced to a doped-up Mexican killer, Indio (Gian Maria Volontà ©), whose degenerate pleasure in violence is linked to the moment, years before, when the death of Mortimer’s sister traumatized him sexually, and is constantly reminded of the incident by the chiming of the musical watch he carries, which matches Mortimer’s. (Bondanella, 257)   Ã‚  Ã‚  Ã‚  Ã‚  Mortimer and Manco, at first in competition with each other, join forces against Indio and his gang of criminals in order for each to achieve their goal through a partnership.

Cather in the Rye :: essays research papers

The Catcher and the Rye is a very controversial book even today. Many schools and libraries across the country have banned this book for various reasons. This paper will explore some of these reasons why this book is still causing debates among educators. To first understand why this book has caused so many debates we have to look at the time it was written in, the 1950’s. In the 1950’s the world was just recovering from the devastations of World War II, which ended five years ago. The United States emerged as a Super Power, the wealthiest nation and the American way of life envied throughout the Western world. This was a time when people were friendlier, more caring, and honest. People were not afraid to leave their homes without locking their doors. Neighbors were always there to help you for whatever reason and, families were close knit. They would have dinner each night, watch television, and do activities together. Children in this time were brought up to respect their elders, conform, and behave according to the their elder’s values. Most of them did so, although a growing spirit of rebellion and a new assertiveness of ideas and styles soon developed. The term â€Å"teenager† became widely used. Teena gers found their own taste in music and fashion. Girls were most likely found wearing clothes like people that they saw on television and the movies. Music had also changed. Teenagers were very fond of a new type of music known as Rock And Roll. Bill Haley and his band was just one group that caused a stir among the elders as to what was respectable, and banned Haley’s movie as well as his record from jukeboxes. This was the first measure that elders took to â€Å"save the children†, from destroying their values. However, the media with magazines, radio, television and the movies fueled the ideas of being a teenager. One popular song of this time was â€Å"All Shook Up† by Elvis Presley that seems to symbolize this time in history. (Stacy & Finkelstein) One author J.D. Salinger wrote his first novel during this time and added to the controversy by his writing style. Salinger chose to write his novel in the first person, told by a seventeen year old boy named Holden Claudfield. Throughout the novel, Holden uses foul language, discussed sexual matter, and rejects the traditional American ideas.

Local or National Issue

In this essay, an attempt will be made to assess the important issue: ‘America’s dependence on foreign oil’.   In the context of steeply rising oil prices, it is important that the American government devises strategy to reduce its dependence on foreign oil. The USA is one of most developed countries in the world and it has been using large amount of oil resources. There has been increase in the demand for oil from the American citizens. Oil is essential for the economic progress of any nation in the modern world. However, America is not self-sufficient in the oil production. This would mean that it needs to import huge quantity of oil from the foreign countries particularly the Islamic countries in the Middle East. At the same time the American president has declared a ‘war on terror’ particularly on the Islamic terrorists. The Islamic terrorists have not taken this declaration lightly and this is proved by their continued attack on the American embassies and people all over the world. The Islamic countries possess huge reserves of oil. The lack of huge oil reserve is the main limitation of the American economy. This limitation has been utilized by the anti American terrorist groups.   The American government has been importing huge amount of oil from the foreign countries and in the process it has been paying huge amount of dollars to the Islamic countries. One can suggest that this dependence of America on foreign oil has encouraged the Islamic terrorist activities as they obtain the American dollars directly or indirectly through the sale of oil to America. This would imply that the American government has been paying to the terrorist groups to indulge in anti-American activities. For example, it is well known that Osama bin Laden obtained financial support from contributions from the Islamic nations. This has limited the ability of the American government to fight against terrorism. The American dependence on foreign oil also has affected the American economy particularly due to the great increase in the price of oil. The oil producing nations enjoy monopoly over the oil production and sale. They can control the oil price and its supply. This has reduced the autonomy of America in world politics. The American government needs to avoid the repetition of the terrorist attacks on the American nation. For this, Americans need to enjoy energy self-sufficiency. (Gal, 2004) The government and the people can contribute to the oil self-sufficiency by reducing oil consumption. The government needs to encourage the scientists to develop alternative energy resources. For example, recently the scientists have found that oil can be replaced by energy resources such as electricity, ethanol, bio-diesel, hydrogen fuel and such other alternative fuels. Already, a few cars which can use alternative fuels have been produced by the American car manufacturers. The government needs to encourage the consumers to use such alternative fuels in their cars in order to improve the financial strength of the country. This would also reduce the financial strength of the Islamic terrorist organizations as they mostly depend on the American dollars in the form of oil exports to America. The government should introduce legislations to provide incentive to alternative fuel producers and consumers so that in all the provinces of the USA people would become aware of the need to save precious American dollar in order to fight the war against terror. By introducing such alternative fuels in the cars, it is possible to save huge amount of dollars which otherwise would have been spent for the purpose of purchasing oil from the foreign countries. Alternative fuel production plants also would lead to improved economic condition of America. This shows that the American government needs to establish oil independence. Bibliography Luft, Gal. (October 2004). Ending America’s Dependence on Middle East Oil. The Middle East Forum Protecting American Interests. Retrieved 31 March 2006 from   

Charles Lamb “Thoughtless Cruelty” Essay

Most people, at some point of their lives, have tortured inferior insects whether it be pulling the wings off a fly or crushing an ant. In the poem â€Å"Thoughtless Cruelty† by Charles Lamb the reader can see that the author is indeed angry about such a thing. The author uses the poetic devices such as diction, rhyme, and detail to describe his attitude toward those who perform such â€Å"Thoughtless Cruelty†. The author first directs his attention to â€Å"Robert† that has â€Å"kill’d that fly†. The author then says the man was â€Å"devoid Of thought and sense† to have killed the fly. Here, the author is implying that â€Å"Robert† must have been stupid for killing the innocent creature. The author goes on talking about natural death as a bird â€Å"devours† it or a â€Å"cold blast in the night† will take its life. By describing the natural causes of the insect’s death, Lamb sympathizes for the creature because of its unnatural death. Lamb continues discussing that pain exists in even â€Å"The greatest being†, and even the â€Å"smallest ones possess† the feeling of death and pain experienced before. The author goes on with more detail in the piece about the crude humor in the creature’s horrible death. Lamb explains, â€Å"The life you’ve taken to supply, You could not do it† that the life â€Å"Robert† has taken cannot be restored, no matter how hard he tries. The author tries to make â€Å"Robert† feel guilty by enlightening him, â€Å"A thing which no way you annoy’d – You’ll one day rue it†, suggesting that one day he will realize his cruelty and morn the death of the fly. â€Å"The bird but seeks his proper food†¦ May just take [its life]†. Here Lamb goes into more detail about the natural death the fly may have experienced. â€Å"A life by Nature made so short, Less reason is that you for sport Should shorter make it.† Lamb again tries to weigh more guilt upon â€Å"Robert†. â€Å"Although their frame and structure less Escape our seeing,† they still experience pain and its horrors. Though the rhyme scheme of AAAB, Charles Lamb starts to use the poetic device of rhyme to also express his attitude. In the first stanza, he talks about how â€Å"Robert, killed that â€Å"fly†, but not matter how hard he may â€Å"try† to â€Å"supply† the life he has taken, he could never â€Å"do it†. In the second  stanza Lamb writes that â€Å"Robert† must have been â€Å"devoid† of thinking to have â€Å"destroy’d† the fly that he never â€Å"annoy’d†, and will one day â€Å"rue it†, expressing negativity by sympathizing for the innocent creature. The author then goes into the natural death by illustrating the bird seeking its â€Å"food†, that fate whose power â€Å"endu’d† the fly thinks the time is â€Å"good† will take â€Å"it†. Finally, the author fully expresses himself when he explains the pain â€Å"The greatest being† can have with its â€Å"flesh † that even the fly may â€Å"possess†, small and structure â€Å"less† may escape our â€Å"seeing†. All in all, the author uses many poetic devices such as diction, detail, and rhyme to express his attitude toward, what seems tragic to the author, event. Even the title â€Å"Thoughtless Cruelty† expresses the authors feelings. Things may be different now, when you see a fly, pulling the wings off a fly may not seem the same.